Category: pop albums
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Lizzy McAlpine: five seconds flat review – indie-folk star raises the stakes
She may be yet to firmly establish her own distinctive sound, but Lizzy McAlpine strikes gold on several occasions on this sophomore LP destined to be one of the more compelling and consistent breakup albums of the year.
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Black Country, New Road: Ants From Up There Review – breathtaking
After their debut album catapulted the London septet to fame in 2021, Black Country, New Road return with a masterpiece that is somehow both sure-footed and wildly experimental. Released just after the sudden departure of the band’s frontman, Ants From Up There serves as a tragic, compelling self-portrait of a man on the brink.
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Cory Wong: Wong’s Cafe review – nothing new from a band in disguise
Cory Wong’s latest project is ostensibly Vulfpeck’s sixth album, and it’s perhaps telling that the band have avoided official recognition for their efforts – Wong’s Cafe feels rushed and uninspired from start to finish, and is home to some of the most unremarkable songs in the band’s history.
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Silk Sonic: An Evening with Silk Sonic review – a modern blast from the past
When megastars Anderson .Paak and Bruno Mars first collaborated under the name Silk Sonic for their gorgeous retro single Leave the Door Open earlier this year they blew minds and topped charts the world over. Could the album that followed ever hope match the stellar quality of the lead single? Alex Walden seems to think…
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Parcels: Day/Night review – a risky, rewarding retro pop quest
Parcels’ unfailingly ambitious and original double album may often be just as irresistibly funky as their debut, but it’s also a huge step forward for the band with its daring genre experimentation and philosophical lyricism. It’s a shame that with such grand aims, there were bound to be a few misfires amongst the extensive tracklist.
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PinkPantheress: to hell with it review – a strong start and a promising future
20-year-old student PinkPantheress shot to instant stardom into 2021 after her short and sweet garage tracks found a keen audience on social media. But does her debut mixtape live up to the hype? Alex Walden seems to think so.
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Jade Bird: Different Kinds of Light review – a sparkling delight
English singer-songwriter Jade Bird’s sophomore album builds on the best parts of the debut with new maturity, sincerity and most importantly some cracking singles. The result is an album I felt an instant personal connection to.
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Olivia Rodrigo: SOUR review – a teen pop triumph
Ambitious, thrilling and often inspired, Olivia Rodrigo’s debut is a pinnacle of Gen Z pop, bursting with all the energy and raw emotion that comes with being young today.
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dodie: Build a Problem review – much more than a YouTube sensation
Build a Problem is a coming of age for dodie with its cinematic ambition and intricate strings compositions, although much of the album lacks a sense of purpose.
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Royal Blood: Typhoons review – an innovating dance-rock revolution
Royal Blood have successfully carved out their own niche in this dynamic disco-infused collection of rock bangers which sound destined to soundtrack many post-lockdown workouts and dance parties the world over.
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Vulfpeck: The Joy of Music, The Job of Real Estate review – a disappointing Jekyll and Hyde
I’m tempted to say that it’s been a long two years since Vulfpeck’s last album, Hill Climber, but the truth is it really hasn’t. 2019 and 2020 have seen the Michigan funk legends take something of a hiatus, with a host of new albums from individuals.
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Oliver Tree: Ugly Is Beautiful review – an intriguing career showstopper
I’ll be honest with you: I hate Oliver Tree. It’s something I’ve realised since first hearing his boisterous, memorable hit single Hurt a year or two ago. Tree sits uncomfortably within the liminal space between comedic actor and reality, displaying an obnoxious, money-grabbing and at times absurd character to his large and increasingly devoted following.…
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Atta Boy: Big Heart Manners review – a demoaralising slump
I like to think of Atta Boy as one of indie pop’s greatest legends. I’m exaggerating of course, but that’s the impression I got when I looked at their Spotify page before the release of their new album, Big Heart Manners. Before last month, Atta Boy had released just one, 40-minute album back in 2012.…
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Parcels: Live Vol. 1 review – Magnificent, subtle reinvention
Parcels are not a raw, roughly-cut band. At least that’s what I thought before hearing Live Vol. 1. Their excellent 2018 self-titled debut album was full of creamy-smooth grooves and airy falsetto, with lyrics musing paradise and self-acceptance. They end up sounding like a Vulfpeck that’s taken a breather, calmed themselves down and grown up…
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Vulfpeck: Hill Climber review – Christmas comes early
Happy Vulfpeck Day! In honour of the 2014 Vulf classic 1612, the unofficial Vulfpeck day has been set to the 16th December, conveniently a few weeks after the band’s fourth album release. Whilst this year is the first time I’ve celebrated Vulfpeck Day, I’ve been following the Michigan funksters’ activities for several years, having quickly…
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