Category: gig reviews
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Girl Ray live at Belgrave Music Hall review – playful disco gets lost in the mix
Playing to a sparse crowd in Belgrave Music Hall, Girl Ray’s undercooked hour of straightforward disco-pop had highlights but suffered from a muddy mix and was ultimately upstaged by their support act.
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RNS/Kim live at the Glasshouse review – music fizzing with tension
Playing to a half-capacity Glasshouse, Sunwook Kim’s admirable account of Brahms’s Second Piano Concerto was technically dazzling if lacking in nuance before the RNS found lift off with an invigorating Schumann symphony.
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Jessie Ware live at Victoria Warehouse review – unparalleled joy
This seasoned popstar knows what she’s doing when it comes to delivering a night out for the ages. This deeply uplifting evening came replete with flawless disco sing-alongs, nut-tight choreography and even a stellar Cher cover to boot.
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Abel Selaocoe live at Boiler Shop review – fiery cello beats come filled with love
No Bach Preludes were to be found here, just consistently thrilling African beats propelled by Selaocoe’s fierce bowing and awesome throat singing. In between show-stopping dance numbers and a spellbinding percussion solo, it was the audience participation that lifted this gig towards something spiritual.
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Squid live at Boiler Shop review – oddball post-punk casts a spell
Squid’s twisted, ugly brand of post-punk rock music was a perfect match for the industrial surroundings of Newcastle’s finest gigging venue for a set packed with interest and surprises, not least a theatrical twist at its climax.
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Manchester Collective live at Star and Shadow review – classical’s shocking cutting edge
Eclectic was the word for this remarkable new project from Manchester Collective’s Rakhi Singh and Alan Keary. Singh’s Bach and Keary’s Reich were each fantastic in their own ways, but it was a chilling closing piece that had audience members either enthralled or clamouring for the exit.
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Theo Katzman live at Òran Mór review – Vulfpeck’s showman gets spiritual
On a damp and dreary night in Glasgow, Theo Katzman showcased his exemplary songwriting and impressive technique despite a set bloated with solos in one of those gigs overshadowed by my own circumstances.
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Penelope Scott & Lincoln live at the Deaf Institute review – agonisingly unprepared
A dejected, overwhelmed Lincoln set the scene for a thoroughly unprofessional showing from Penelope Scott, whose pitchy vocals and underwhelming songs made the hour feel like two.
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boygenius live at the Piece Hall review – has Halifax ever seen anything like this?
On a first night in a glistening Piece Hall, the three individually lauded American songwriters brought almost unprecedented star power to humble old Halifax. Euphoric rock anthems and heartbreakingly fragile ballads had the superfans in raptures during a gig almost derailed by mass faintings.
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Prince Daddy & the Hyena live at the Key Club review – a hit and run blast of mayhem
Straightjacketed into a fleeting 45 minute set, this performance from the New York emo rockers was agonisingly defined by all the great songs they neglected. At least the berserk crowd didn’t seem to mind.
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Emma Rawicz live at Brudenell Social Club review – youthful boundary-pushing veers towards indulgence
Challenging and ambitious, Emma Rawicz’s polymorphous jazz sought to tread new ground on a yearly return to the Brudenell. Epic solos and an extraordinary closing number had the audience baying for more, not least because her 90-minute set contained just six songs.
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The Beths live at New Century Hall review – the sound of a band realising their potential
After releasing the best album of their careers last year, the Beths are reaping their rewards with bigger venues and an ever more affectionate fanbase. Improved on all fronts since their visit to Leeds last year, all that this gig needed was a bit of extra bite.
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RNS/Włoszczowska live at Sage Gateshead review – propulsive Bartók steals the show
Maria Włoszczowska’s laidback approach to the combined roles of soloist and conductor gave mixed results, but the splendour of Beethoven’s Violin Concerto remained largely intact. It was Bartók’s lively Divertimento that saw the RNS at their most dynamic and engaging.
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Black Country, New Road live at NUSU review – indie darlings hit a stumbling block
Poorly served by a dodgy soundsystem and impatient crowd, Black Country, New Road never quite found their stride on a drab night in Newcastle. Lethargic and lackadaisical, the vibrance of their first three albums seemed a world away.
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Couch live at Band On The Wall review – eight-strong funk group go all in
Every song was a showstopper for a celebratory final night of Couch’s debut international tour in an ambitious show packed with unrelenting funk-pop grooves, countless glorious solos and the best Harry Styles cover money can buy.
Undertone 