Category: gig reviews
-

Friday Night Club with the Unthanks review – beautiful ballads, evocative prose and a full-face gremlin mask
Debuting a brand new series of variety shows at Gateshead’s Glasshouse, the Unthanks were warm and welcoming hosts for this feast of North East culture. Tim Dalling was hilarious and the RNS Quartet were predictably compelling, but it was Clara Mann’s devastatingly elegant songs that stole the show.
-

The Beths live at Project House review – dependable as ever, now with added recorders
New Zealand band the Beths aren’t exactly reinventing the indie rock wheel, but they remain a thoroughly reliable live act. With another rewarding album under her belt, Liz Stokes is an undeniably talented songwriter, although this set lacked the punk oomph you feel could take the band to the next level.
-

Black Country, New Road live at the Glasshouse review – not what it once was
The boundary-pushing Cambridge band have boldly ventured forth into a third album after departing frontman Isaac Wood left a gaping hole in the lineup. Three years on, the band’s spectacular glory days still cast a long shadow over this middling live set in Gateshead.
-

Olivia Rodrigo live at Co-op Live review – post-Glasto victory lap is a teenage dream
Inexhaustible despite an exceptionally busy few days, the American pop phenom’s Manchester set felt every bit like a showcase from one of present-day pop’s greatest stars. Don’t be fooled by her early Disney career or the adoring audience of young girls – Rodrigo’s music is thoughtful, sophisticated, and surprisingly grungy.
-

jasmine.4.t live at the Deaf Institute review – triumph and world-weariness from unbreakable trans singer
Returning to her hometown of Manchester after a breakout year, the Boygenius collaborator was let down by poor acoustics in an understandably tired-feeling performance. Still, she can dig into a thrashing System of a Down cover like the best of ’em.
-

Ichiko Aoba live at the Glasshouse review – perfect serenity from the Japanese isles
Ichiko Aoba’s virtuosic guitar playing proved the main draw for a night of deeply beautiful experimental folk pieces from Japan, prefaced by one of the most extraordinary support acts I’ve ever witnessed.
-

Adwaith live at the Cluny review – Welsh indie trio are worth rooting for
The pioneering Welsh-language trio had plenty of quality material from their recent double album to dig into in Newcastle, although the scuzzy guitars and restless basslines were occasionally let down by Hollie Singer’s limited vocal performance.
-

RNS/Ólafsson live at the Glasshouse review – quite possibly the best pianist in the world right now
Beethoven’s flamboyant Emperor concerto was an odd choice for this master of pianistic introspection, but Ólafsson nonetheless proved his world class status following a typically daring and dynamic first half from Sousa’s Royal Northern Sinfonia.
-

Katy J Pearson live at Leeds Irish Centre review – illness-battling songstress lifts the spirits
Battling on despite illness, the singer-songwriter’s voice still had enough oomph to do her finest soft rock numbers justice, and her effortless stage presence brought joy to this rainy Wednesday night in Leeds.
-

Confidence Man live at NX review – ludicrous dance-pop tears the roof off
Fresh from releasing their third – and finest – album, there’s simply no room left for duds in Confidence Man’s supremely silly live show. Even by Newcastle’s high standards, Saturday nights out don’t get much more ecstatic than this.
-

Maruja live at the Cluny review – an extraordinary plunge into hell
The Manchester noise merchants provided all the expected thrills – tempestuous drumming, atmospheric saxophone, sharp-tongued poetry – and added sweeping improvisations and stupendous operatic climaxes. This tepid Newcastle crowd was spoiled rotten.
