Category: rock gigs
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Adwaith live at the Cluny review – Welsh indie trio are worth rooting for
The pioneering Welsh-language trio had plenty of quality material from their recent double album to dig into in Newcastle, although the scuzzy guitars and restless basslines were occasionally let down by Hollie Singer’s limited vocal performance.
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Katy J Pearson live at Leeds Irish Centre review – illness-battling songstress lifts the spirits
Battling on despite illness, the singer-songwriter’s voice still had enough oomph to do her finest soft rock numbers justice, and her effortless stage presence brought joy to this rainy Wednesday night in Leeds.
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Maruja live at the Cluny review – an extraordinary plunge into hell
The Manchester noise merchants provided all the expected thrills – tempestuous drumming, atmospheric saxophone, sharp-tongued poetry – and added sweeping improvisations and stupendous operatic climaxes. This tepid Newcastle crowd was spoiled rotten.
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Fat Dog live at Project House review – barking mad dance-rock is a treat
The much-hyped band crowned a breakout year with a bangers-only 45 minute blitz in Leeds, packed with mammoth riffs and thunderous bass lines. Even the band’s photographer couldn’t resist the pull of a vintage mosh pit.
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Soft Play live at NX review – shirtless punks ignite a brutal mosh pit
The hardcore Kent punks are noted for their unusual lyrical vulnerability, but in truth this gig was all about deafening, apoplectic rock bangers. The resulting mosh pit chaos left this reviewer floored – literally.
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The Last Dinner Party live at O2 City Hall review – red hot girl group come off the boil
Five piece indie rockers The Last Dinner Party were Britain’s most talked-about band during their meteoric rise last winter. The strength of the songwriting remains undeniable, but frontwoman Abigail Morris gave a noncommittal performance on a faintly disappointing Monday night in Newcastle.
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Courting live at the Cluny review – indie’s next big thing has room for improvement
The Liverpudlian post punkers’ live offering is rough around the edges and their fixation with heavy-handed autotune grates – but they do possess the sort of roof-demolishing closing number most bands can only dream of.
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Squid live at Boiler Shop review – oddball post-punk casts a spell
Squid’s twisted, ugly brand of post-punk rock music was a perfect match for the industrial surroundings of Newcastle’s finest gigging venue for a set packed with interest and surprises, not least a theatrical twist at its climax.
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Theo Katzman live at Òran Mór review – Vulfpeck’s showman gets spiritual
On a damp and dreary night in Glasgow, Theo Katzman showcased his exemplary songwriting and impressive technique despite a set bloated with solos in one of those gigs overshadowed by my own circumstances.
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Penelope Scott & Lincoln live at the Deaf Institute review – agonisingly unprepared
A dejected, overwhelmed Lincoln set the scene for a thoroughly unprofessional showing from Penelope Scott, whose pitchy vocals and underwhelming songs made the hour feel like two.
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boygenius live at the Piece Hall review – has Halifax ever seen anything like this?
On a first night in a glistening Piece Hall, the three individually lauded American songwriters brought almost unprecedented star power to humble old Halifax. Euphoric rock anthems and heartbreakingly fragile ballads had the superfans in raptures during a gig almost derailed by mass faintings.
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Prince Daddy & the Hyena live at the Key Club review – a hit and run blast of mayhem
Straightjacketed into a fleeting 45 minute set, this performance from the New York emo rockers was agonisingly defined by all the great songs they neglected. At least the berserk crowd didn’t seem to mind.
Undertone 