Undertone. A blog about music.
-
PUP live at Project House review – propulsive pop punk pandemonium
The Canadian racket-makers specialise in gloomy songs about hopelessness and self-loathing, but this thrilling blitz of bangers in Leeds brought nothing but joy to an amped up crowd eager to throw their drinks – and each other – in the air.
-
Ichiko Aoba live at the Glasshouse review – perfect serenity from the Japanese isles
Ichiko Aoba’s virtuosic guitar playing proved the main draw for a night of deeply beautiful experimental folk pieces from Japan, prefaced by one of the most extraordinary support acts I’ve ever witnessed.
-
‘Often the first thought you have is the best one’: Divorce on their instinctive, brilliant debut album
Felix and Kasper from Divorce discuss their critically acclaimed new album and the key to its occasionally baffling lyrics.
-
Welly: Big In The Suburbs review – puts the fun back in British indie rock
Welly’s debut album is winningly silly, although its political satire feels a little too safe, and the comedy in Elliot Hall’s cartoonish vocals wears thin quickly.
-
Courting: Lust for Life review – overwrought concept album pulls its punches
The Liverpool band’s drive for creative risk-taking is admirable, but the experiment doesn’t pay off on this messy, underwritten third album.
-
Eurovision: Europe doesn’t hate the UK, they hate our rubbish songs
As country-pop trio Remember Monday commence their Eurovision campaign, it’s high time for the UK media to stop wallowing in self-pity and start accepting that the only thing holding us back is ourselves.
-
Vulfpeck: Clarity of Cal review – at long last, a hit
After a string of increasingly unfunny joke albums, Jack Stratton and co get (a little) more serious on this latest collection of joyful funk-pop tunes. It ranks as one of Vulfpeck’s finest outings to date, even if they let it slip in the closing stages.
-
Divorce: Drive to Goldenhammer review – endearing, open-hearted folk-rock
Framed around a quest to the fictional place of ‘Goldenhammer’, the Nottingham indie band’s impressive debut is packed with one gorgeous duet after another, plus a wealth of plaintive melodic earworms.
-
Adwaith live at the Cluny review – Welsh indie trio are worth rooting for
The pioneering Welsh-language trio had plenty of quality material from their recent double album to dig into in Newcastle, although the scuzzy guitars and restless basslines were occasionally let down by Hollie Singer’s limited vocal performance.
-
Sam Fender: People Watching review – the Geordie Springsteen delivers a classic
Valorised Geordie hero Sam Fender paints a vivid picture of ordinary working-class life in this extraordinary third record. Never has Fender’s trademark brand of melancholic beauty sounded so potent.
-
RNS/Ólafsson live at the Glasshouse review – quite possibly the best pianist in the world right now
Beethoven’s flamboyant Emperor concerto was an odd choice for this master of pianistic introspection, but Ólafsson nonetheless proved his world class status following a typically daring and dynamic first half from Sousa’s Royal Northern Sinfonia.
-
Undertone’s best songs of 2024
From era-defining pop hits to indie rock gems, vocal jazz to death metal, it’s time to look back on the very best songs that came out in 2024.
-
The wonderful adventure: why Slipping Through My Fingers is ABBA’s tragic masterpiece
A devastating account of a mother’s loss doubles as a universal meditation on the human compulsion to cling on to the past in a pop single that mixes ecstasy and agony in a way no other song has before or since.
-
Katy J Pearson live at Leeds Irish Centre review – illness-battling songstress lifts the spirits
Battling on despite illness, the singer-songwriter’s voice still had enough oomph to do her finest soft rock numbers justice, and her effortless stage presence brought joy to this rainy Wednesday night in Leeds.
-
Confidence Man live at NX review – ludicrous dance-pop tears the roof off
Fresh from releasing their third – and finest – album, there’s simply no room left for duds in Confidence Man’s supremely silly live show. Even by Newcastle’s high standards, Saturday nights out don’t get much more ecstatic than this.
Want to support independent music journalism?
Undertone 