Undertone. A blog about music.
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The Beths live at Project House review – dependable as ever, now with added recorders
New Zealand band the Beths aren’t exactly reinventing the indie rock wheel, but they remain a thoroughly reliable live act. With another rewarding album under her belt, Liz Stokes is an undeniably talented songwriter, although this set lacked the punk oomph you feel could take the band to the next level.
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Black Country, New Road live at the Glasshouse review – not what it once was
The boundary-pushing Cambridge band have boldly ventured forth into a third album after departing frontman Isaac Wood left a gaping hole in the lineup. Three years on, the band’s spectacular glory days still cast a long shadow over this middling live set in Gateshead.
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Parcels: LOVED review – playful pop from a band best served live
Existing fans of the renowned pop group will find a healthy offering of funky foot-tappers on Parcels’ light-hearted new album, which will no doubt be morphed into dazzling showstoppers for the band’s huge upcoming shows – it’s just a shame so little of their big-stage theatrics seeped through onto the record.
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‘Every bandmate is infusing their tastes into this album’: seven-strong pop collective Couch on their funky debut record
After years of virtual band meetings and drumming up buzz online, Couch look set to take over the world with a debut album sprawling 36-date tour. They spoke to Undertone about forming a band during the Covid years, their vulnerable new single, and the tricky task of making music with seven songwriters.
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Olivia Rodrigo live at Co-op Live review – post-Glasto victory lap is a teenage dream
Inexhaustible despite an exceptionally busy few days, the American pop phenom’s Manchester set felt every bit like a showcase from one of present-day pop’s greatest stars. Don’t be fooled by her early Disney career or the adoring audience of young girls – Rodrigo’s music is thoughtful, sophisticated, and surprisingly grungy.
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jasmine.4.t live at the Deaf Institute review – triumph and world-weariness from unbreakable trans singer
Returning to her hometown of Manchester after a breakout year, the Boygenius collaborator was let down by poor acoustics in an understandably tired-feeling performance. Still, she can dig into a thrashing System of a Down cover like the best of ’em.
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PUP live at Project House review – propulsive pop punk pandemonium
The Canadian racket-makers specialise in gloomy songs about hopelessness and self-loathing, but this thrilling blitz of bangers in Leeds brought nothing but joy to an amped up crowd eager to throw their drinks – and each other – in the air.
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Ichiko Aoba live at the Glasshouse review – perfect serenity from the Japanese isles
Ichiko Aoba’s virtuosic guitar playing proved the main draw for a night of deeply beautiful experimental folk pieces from Japan, prefaced by one of the most extraordinary support acts I’ve ever witnessed.
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‘Often the first thought you have is the best one’: Divorce on their instinctive, brilliant debut album
Felix and Kasper from Divorce discuss their critically acclaimed new album and the key to its occasionally baffling lyrics.
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Welly: Big In The Suburbs review – puts the fun back in British indie rock
Welly’s debut album is winningly silly, although its political satire feels a little too safe, and the comedy in Elliot Hall’s cartoonish vocals wears thin quickly.
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Courting: Lust for Life review – overwrought concept album pulls its punches
The Liverpool band’s drive for creative risk-taking is admirable, but the experiment doesn’t pay off on this messy, underwritten third album.
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Eurovision: Europe doesn’t hate the UK, they hate our rubbish songs
As country-pop trio Remember Monday commence their Eurovision campaign, it’s high time for the UK media to stop wallowing in self-pity and start accepting that the only thing holding us back is ourselves.
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