Tag: pop
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Divorce: Drive to Goldenhammer review – endearing, open-hearted folk-rock
Framed around a quest to the fictional place of ‘Goldenhammer’, the Nottingham indie band’s impressive debut is packed with one gorgeous duet after another, plus a wealth of plaintive melodic earworms.
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Sam Fender: People Watching review – the Geordie Springsteen delivers a classic
Valorised Geordie hero Sam Fender paints a vivid picture of ordinary working-class life in this extraordinary third record. Never has Fender’s trademark brand of melancholic beauty sounded so potent.
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Confidence Man live at NX review – ludicrous dance-pop tears the roof off
Fresh from releasing their third – and finest – album, there’s simply no room left for duds in Confidence Man’s supremely silly live show. Even by Newcastle’s high standards, Saturday nights out don’t get much more ecstatic than this.
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Becky Hill live at Utilita Arena review – dance music star goes through the motions
Becky Hill may have plenty of hit singles under her belt, but her live act proved to be a work in progress on a shaky night in Newcastle.
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Charli xcx: BRAT review – queen of the club reveals her softer side
BRAT may offer some of the nastiest club floor-fillers of Charli xcx’s lauded career, but there’s also vulnerable reflections on loss and the daunting prospect of becoming a mother. The result is a rollercoaster of an album that makes a point of its dramatic shifts in tone.
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Summer of funk: five groovy albums to keep in your rotation this summer
Now that Summer has finally arrived, Alex Walden has been on a deep dive in an attempt to collate his summer playlist. While the process remains unfinished, Alex has found five albums that he deems to be essential listens this summer.
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Billie Eilish: Hit Me Hard and Soft review – more soft than hard
A compelling tale of love and loss, Hit Me Hard and Soft sees Eilish embrace her sexuality on her own terms via knotty and unpredictable pop. The love songs are delectable and the showpiece moments titanic, although not every sonic experiment comes off.
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Maggie Rogers: Don’t Forget Me review – assured third album brims with singalong choruses
The ballads are few and far between on Maggie Rogers’ brilliantly written third record, which delivers one singalong belter after another. Don’t Forget Me doesn’t reinvent the singer-songwriter wheel, but what a fabulous wheel this particular album is.
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Taylor Swift: The Tortured Poets Department review – megastar has nothing left to prove
Dramatic, high-profile recent breakups offer plenty of lyrical meat for Swift to sink her teeth into on her 11th album and the highlights are devastating, but ultimately TTPD shows a lack of daring perhaps to be expected of an artist who already has the formula for commercial success honed to a tee.
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Jade Bird: Burn the Hard Drive EP review – restrained breakup songs lack punch
Jade Bird’s knack for an anthemic chorus and soaring vocals go largely unused on this mixed EP, which opts for introspective healing over the roof-raising Americana of Bird’s first two albums.
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Thundercat live at O2 City Hall review – virtuoso bassist goes full jazz fusion
Thundercat may be one of the world’s most respected bassists, but in this exhausting set of samey solos his technical wizardry was largely lost to City Hall’s booming acoustics. Alex Walden and Bertie Kirkwood jointly report.
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Jacob Collier: Djesse Vol. 4 review – his most gloriously incohesive yet
Ticking off everything from electropop to metal, Indian folk music to club-ready dance numbers, the finale of Collier’s four-album extravaganza is eclectic even by his standards. It makes for a mightily impressive listen, even if the 26 featured artists might overwhelm even his keenest fans.
Undertone 