Undertone. A blog about music.
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boygenius live at the Piece Hall review – has Halifax ever seen anything like this?
On a first night in a glistening Piece Hall, the three individually lauded American songwriters brought almost unprecedented star power to humble old Halifax. Euphoric rock anthems and heartbreakingly fragile ballads had the superfans in raptures during a gig almost derailed by mass faintings.
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Prince Daddy & the Hyena live at the Key Club review – a hit and run blast of mayhem
Straightjacketed into a fleeting 45 minute set, this performance from the New York emo rockers was agonisingly defined by all the great songs they neglected. At least the berserk crowd didn’t seem to mind.
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Vulfmon: Vulfnik review – puts the future of Vulf into question
With rambling tangents and a confused mix of genres, Jack Stratton fails to deliver on an otherwise promising new identity yet again. Matthew Rowe gives a track-by-track rundown on why the latest album doesn’t live up to the potential harboured by Vulfpeck frontman.
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Emma Rawicz live at Brudenell Social Club review – youthful boundary-pushing veers towards indulgence
Challenging and ambitious, Emma Rawicz’s polymorphous jazz sought to tread new ground on a yearly return to the Brudenell. Epic solos and an extraordinary closing number had the audience baying for more, not least because her 90-minute set contained just six songs.
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Nujabes: The growing legacy of the ‘Godfather of Lo-fi’
A favourite for hardworking students the world over, the relaxing tones of lo-fi hip hop make it a hidden giant of the music industry. Alex Walden traces the origins of the genre through its underappreciated founding father Nujabes and gets to the bottom of the unlikely link with anime.
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The Beths live at New Century Hall review – the sound of a band realising their potential
After releasing the best album of their careers last year, the Beths are reaping their rewards with bigger venues and an ever more affectionate fanbase. Improved on all fronts since their visit to Leeds last year, all that this gig needed was a bit of extra bite.
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Hideki Naganuma’s Jet Set Radio: how a video game helped birth a musical generation
Jet Set Radio was once long forgotten, but following recent news that the game could possibly be making a return, Alex Walden is here to analyse the musical side of the game and the soundtrack’s cultural significance.
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RNS/Włoszczowska live at Sage Gateshead review – propulsive Bartók steals the show
Maria Włoszczowska’s laidback approach to the combined roles of soloist and conductor gave mixed results, but the splendour of Beethoven’s Violin Concerto remained largely intact. It was Bartók’s lively Divertimento that saw the RNS at their most dynamic and engaging.
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Black Country, New Road live at NUSU review – indie darlings hit a stumbling block
Poorly served by a dodgy soundsystem and impatient crowd, Black Country, New Road never quite found their stride on a drab night in Newcastle. Lethargic and lackadaisical, the vibrance of their first three albums seemed a world away.
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Jessie Ware: That! Feels Good! review – riotous party album makes for a worthy sequel
Continuing on from the success of her masterful 2020 release, That! Feels Good! is every bit as delightfully danceable as its predecessor, with more cheeky funk bass lines than you can wave a disco finger at.
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Couch live at Band On The Wall review – eight-strong funk group go all in
Every song was a showstopper for a celebratory final night of Couch’s debut international tour in an ambitious show packed with unrelenting funk-pop grooves, countless glorious solos and the best Harry Styles cover money can buy.
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Self Esteem live at Sage Gateshead review – left-field pop firebrand is the full package
Arriving at one of the grandest venues of her career to date, Self Esteem threw the kitchen sink at this performance at the Sage with snappy choreography and slick costume changes. Rarely was the show anything but utterly spectacular.
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