Undertone. A blog about music.
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Rianne Downey live at Oporto review – bigger stages await
Her songwriting ability may be still developing, but Rianne Downey already owned the stage at Oporto, a low-key venue that felt far too small for a vocal talent of this calibre.
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Every song from Eurovision 2023, ranked
It’s Eurovision season again, and time for our annual countdown of every single entrant heading to Liverpool in May.
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Fergus McCreadie Trio live at Sage Gateshead review – overlong wanderings through Scottish wilderness
In front of a room full of attentive followers in the Sage, McCreadie’s trio indulged in expansive tangents away from the source material that only occasionally struck gold, although the technical ability and telepathic musicianship displayed throughout were undeniably immense.
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easy life live at O2 City Hall – indie pop stars get carried away
Hundreds of university students descended on Newcastle’s City Hall for an evening of singalong soft pop and RnB so unnecessarily injected with superficial rock and roll antics it made you wonder if Murray Matravers and co have chosen the wrong genre.
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Carly Rae Jepsen live at O2 Academy review – pure, perfect pop
She may be synonymous with the hit that first shot her to fame, but the party-ready fans that packed into Leeds’ O2 Academy knew Carly Rae Jepsen had more to offer, namely a flawless set of pristine pop with sparkling, singalong hooks at every turn.
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Florence + the Machine live at first direct Arena – cult queen reassembles her army
Florence Welch’s outstanding 2022 album Dance Fever dominated proceedings for a thrilling, theatrical Saturday night performance in Leeds. Knowingly the subject of cultish devotion, Welch’s return was a theatrical celebration of collective pandemic persistence.
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Songs for solitude: alone on a mountain with Phoebe Bridgers’ Punisher
Completely alone for the night on a remote mountain summit in the Lake District, there was only one album I needed to listen to: Phoebe Bridgers’ 2020 release, Punisher.
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Vulfpeck: Schvitz review – scattergun sixth lacks inspiration
A return after a prolonged hiatus could have spelt creative reinvention for Ann Arbor funk group Vulfpeck. Instead they continue to underwhelm on a sixth album let down by vapid hooks and lazy rehashes.
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Undertone’s best songs of 2022 – part two
Just in time for the end of 2022, it’s time to complete our countdown of Undertone’s top songs of the year.
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Undertone’s best songs of 2022 – part one
It’s time to dive into Undertone’s favourite songs of 2022.
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Parthenope live at the Wardrobe review – the newest star of UK jazz
Returning to Leeds for a one-off homecoming, the Guildhall jazzer’s set was rough around the edges but oozed with potential. Aided by a stellar trio of groove-makers, Parthenope’s dexterity on saxophone in particular is already dazzling.
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Phoebe Green live at the Cluny review – strong material fails to come alive
Touring the UK on the back of daringly original debut album Lucky Me, Phoebe Green’s attention-grabbing pop creations deserved a keener reception in Newcastle. Seemingly put out by the poor attendance and lacking in conviction, Green’s performance struggled as a result.
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